Summary: Cora and her husband Ben are bounty hunters who make their living by killing various supernatural shit in the old west. I fuckin’ love supernatural shit in the old west.
It’s rare to see established relationships in fiction, so I was curious to see how he would handle it — answer is, unfortunately, not particularly engagingly. It’s a hard thing to pull off, since the quickest shortcut to audience-engagement in a romance is unresolved sexual tension. Barring that, it seems like the best way to sell an audience on an established relationship is to give them an excellent team dynamic (ala Zoe and Wash in Firefly, or Rickey and G-man in Liquor), so that the reader gets a clear sense of why these two people like each other, how they work together as a unit, and how staunchly they’ve got each other’s backs. I didn’t get much sense of that here.
Partly it’s because Cora is an asshole. Don’t get me wrong, I’m totally okay with that — she’s arrogant, aggressive, impulsive, and a full-on alcoholic, which would make her a tired stereotype if she were a man, but it’s a combination that takes on a very different (and rather interesting) feel in a female character. I just wish we’d been given more to like about her, in addition to all her less savory qualities.
Anyway, I read Dead of Winter because it turned out that She Returns From War was the sequel to this. I’ll give SRFW a spin later too.
Plot – 4/5 (brisk, with action and stuff)
Prose – 3/5 (utilitarian)
Characters – 3.5/5 (Cora is not lovable, but she is somewhat different)
Novelty – 3/5 (can “Supernatural in the old west, but with less drama” be called novel?)
Emotional engagement – 2/5 (nope, not feeling it)
Counter-recs, if you’re lookin’ for more weird west: The God Eaters by Jesse Hajicek or A Book of Tongues by Gemma Files. (But only if you like a side of hot gay sex with your supernatural shit in the old west. And if you’re not — friend, you are reading the wrong books blog). Territory by Emma Bull, not queer but with interesting atmospherics; think magical realism in the Weird West.